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“Oh, my conscience! That isn’t any matter. All the grandest actors have the dying parts; and they die gloriously; and the audience claps and claps and claps; and the curtain goes up, and they all come out alive again and bow and smile; and you eat some candy and don’t cry any more.”,

“Mudgie, Mudgie,” he shrieked.,

“I can dance, too,” she said with childish pride.,

“Oh no Betty,” Moses tones were of an elder-brotherly authority, “yer li’l han’s aint meant fer sich servitood. I’d not stan’ by an’ see you do that.” With all his teasing at times, Moses adored his little foster-sister. He idealized her, and as Mrs. Wopp had often remarked, whenever Betty left his presence he saw her ascend into heaven in a “Whirlwin’ of fire, an’ go-cart of flame.”

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Acting on this timely suggestion, Mrs. Wopp deposited the mischievous youths on small chairs, one on each side of her table, directly under her watchful eye. Cracking nuts seemed to have been the special proposed form of amusement for the afternoon. By the end of five minutes the substitute teacher had set several large noisy paper bags on the window ledge.,

Zalhambra was a vaudeville artist. His was the star act on each bill. He was undeniably a genius; it needed but a few bars of fortissimo plus crescendo to realize that he was a virtuoso of the first rank. When he played a Rag the audience shouted with delight; but when he sprinkled torrential cadenzas through the dizzying syncopation, like some mighty giant tossing meteors into a handful of fire-crackers, something like an electric shock stirred his hearers.,

“Peter Stolway, what is a whale?”,

A dull yellow glow from the kerosene lamp, placed by Moses on the bureau, lighted up the figure of Betty reclining on snowy pillows. On one side of her was seated Howard, his arm about the drowsy child. On the side of the bed, squarely seated on one of Mrs. Wopp’s texts worked into the patchwork quilt, was Nell, watching the little pallid face and trying to avoid the eyes of her silent lover.